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  • REVIEW: PRESONUS ERIS HD10BT - CLOSED BACK - BLUETOOTH

    Keeps its feet on the ground in the truest sense of the word frequency range: 20 - 20000 Hz | sound pressure level: 96 dB | impedance: 16 Ohm | dynamic The PRESONUS ERIS HD10BT sets itself a very high claim, which it cannot necessarily confirm. Sound 7.2 Bass Mids Trebles Stage Imaging 7 7 7.5 7.5 7 Handling 8.5 Processing Comfort Earpads Headband Weight 9 8 8 8 341 Gramm Total 7.6 Price 99 € Quickcheck Pro Contra - good comfort - tonality - workmanship - BT sound - Handling - ANC - battery - resolution Intro The ERIS HD10BT impresses more with its design and robustness than with the sound. Even though I appreciate both, the latter is clearly more important to me. Unfortunately, the ERIS offers too little in this discipline, at least if you have to and want to measure it against the self-imposed claim of a "studio headphone". Handling Bluetooth: 5.0 Audio codecs: SBC, AAC Operating range: up to 10 m Driver unit size: 40 mm Speaker impedance: 16 Ohm ± 15% Frequency response: 20Hz-20KHz Play time: ≤ 16 hours The ERIS HDBT makes a very high-quality and especially robust impression. It is quite heavy for a Bluetooth headphone, but that rather underlines the durable character, which one would definitely want in the studio or on the road. Here, the ERIS delivers what it promises: a "studio headphone for on the go". In addition, it can be operated intuitively and unerringly in Bluetooth mode thanks to the haptic buttons (+/- and On/Off) with double assignment. The built-in microphone is also quite suitable for conversations. It can be worn comfortably and the pads (not changeable) rest pleasantly above or rather next to the ear. Thus, the PRESONUS ERIS HD10BT doesn't leave much to be desired in terms of workmanship and can make its mark here. The Bluetooth connection works without problems and the range is in the average range. However, it is a different story in terms of sound. Sound I would have preferred to review the ERIS wired, but that contradicts the basic principle of a Bluetooth headphone review and so I will briefly go into the topic below. This much can be said: the ERIS HD10BT sounds better via cable than wirelessly and thus also somewhat contradicts the general rule, which rather represents the opposite in the BT area. Bass Dry with emphasis on the mid and upper bass describes the low range quite well. However, this is not a successful tuning in this case, because it lacks punch, firmness and details. The bass besieges the mids and colors them a lot, since they also lack presence in the upper range. The bass can also be strongly influenced by the ANC, but it becomes much more undefined and bloated when the function is activated. Mids Tonally, I have some problems with the mids. At times, they sound a bit dull and not really authentic. In the lower and mid-range they have more presence than in the upper range, which fits well with the term "boxy". They still lack substance, though, as the bass (without ANC) can't give them the body they need. A bit confusing the whole thing, but there are bright spots as well and on balance you get used to this "earthy" presentation and start to concentrate on the music again. For me they are too tiring in the long run (garish/shrill/dull) and not musical enough. Highs Unlike the mids, or the bass, the highs can't be accused of inconsistency to the same degree. Still, they lack resolution and also brilliance, but they seem the most authentic and play solidly without suppressing too much information. Unfortunately, they can't save much and so the mids dominate with their slightly slanted dominance and warmth from the upper bass. Stage The stage has a decent extension in the panorama, but just height and depth are not necessarily the hobbyhorse of the ERIS. Still, it's good for a closed headphone, but not worthy of major praise. Imaging Here I can't attest to any special features of the ERIS. The 3D image is okay, although voices are a bit too prominent (male) and the image still seems rather two-dimensional. Good average. The separation suffers somewhat due to the prominence of the voices, and the lack of resolution also means that the picture lacks a bit of clarity. ANC Hands off the ANC, at least with music. This adds considerably more bass to the ERIS, but makes for a dull sound and makes things worse than they help. You get used to it, but it still lacks clarity without ANC and especially resolution and tonality. On a positive note, ANC can be used in both Bluetooth and with a cable. Likewise, the ERIS does not have to be on to activate ANC if you want to enjoy silence without music at all. Silence is quite a big word here, though, because ANC doesn't suppress much and so the function is "nice to have", but not really useful. Cable In cable mode, the ERIS sounds unexpectedly better than via BT. Usually this is the other way around, since a lot of tuning is also realized via the digital converter in BT and can be fine-tuned, whereas in cable the signal is looped through 1 to 1. Here, however, exactly this is the better solution for my taste and so you get more clarity and also a bit more dynamics with a cable. The ERIS HD10BT also has a fresher and livelier sound. Although the basic tonality remains approximately the same, but technically more is to get out of it. Outro The PRESONUS ERIS HD10BT sets itself a very high claim, which it cannot necessarily confirm. "Studio sound for on the go" is what the advertising text says, and even though one cannot deny the ERIS a reasonably settled basic attitude, it lacks an authentic tonality that seems rather dull, as well as lacks dynamics and can cause irritation. That should not be the basis for a "studio" headphone. You get used to the sound and the ERIS is quite usable in total, but a switch to Bluetooth headphones like the Valco VMK20, quickly reveal the tonal weaknesses again. I don't even want to start with real studio headphones. Some may even celebrate the ERIS for its "warm" signature with earthy sound, but I would also like to see more musicality and above all resolution and precision in the studio. In addition, the ERIS is better used wired, as the sound quality benefits. Here, the ERIS would also have earned a slightly higher rating. PRESONUS

  • BAD CONTEST: Bluetooth

    Criteria: BT-Headphone (On-Ear & Over-Ear) Price range: no limit Explanation: A collection of BT headphones without real added value, summarized in one article. Only BT headphones with a sound rating below 6 will be found here. For me, it makes no sense to check the battery life or other technical features for correctness, since this doesn't matter anymore with the limited sound. I also omit the description of the handling and reflect this only in the rating. I limit myself to 2 "notes" for sound and handling, which is included in the weighting of 2:1 in the overall rating. However, the exact subdivision can still be found in "SHOOTOUT-HEADPHONE". Things could always be worse and maybe I'm too hard, but these BT headphones are not really worth it for me, unless it's just to get something out of a headphone at all and this wirelessly. Sound Handling Total Price LANGSDOM BT18 3.4 4 3.6 19 € OEM H1 PRO 4.3 3.5 4 13 € OEM LY-903 5.2 5.5 5.3 21 € ... will be continued LANGSDOM BT18 Bluetooth 5.0, 40 mm driver, frequency response: 20 - 20000 Hz The superlatives thrown around in product descriptions are nothing new, but I sometimes wonder if the "advertising experts" have ever heard the product themselves. "Great Sound, Deep Bass" - Nope, never at all. It's listed as over-ear, but is an on-ear, except maybe for three-year-olds. Sound - short and painless The bass is overdriven and booming, in addition it has no depth and a clean kick is wishful thinking. It has quantity, but zero definition. How to make the mids sound so muffled and the voices still shrill is a "masterpiece". Even with "simple" music I can't get anything out of the mids, even if the bass destroys a lot. Trebles? It feels like the end of the day after the mids, even if that is overstated. Details are in short supply and everything seems compressed. Even if they don't really have anything to offer, they are still the most acceptable feature of the BT18 The stage is constricted and there is no separation. A big mush that is pressed into your head. You have to be very undemanding if you want to consume music with the BT18. It clears up a bit in clink mode, but that doesn't make it any better. https://s.click.aliexpress.com/e/_dWn4CV3 OEM H1 PRO Bluetooth 5.0, 40 mm driver, frequency response: 20 - 20000 Hz Not everything goes wrong with the H1 PRO's sound and it is surprisingly restrained in its bass. In this case, however, it's probably more of a problem. The H1 PRO is also an OEM product, which has several distributors. SOUND - short and painless The bass is nothing half and nothing whole. With its modest amount, you could maybe hope for some quality, but here we have a bass performance of a phone from the 60s. He seems kind of out of place. The mids sound hollow and distant. Voices have zero emotions and there is little that sounds the way it should. They also have an unpleasant boost in the upper range that makes them more glaring. The highs allow details to shine out here and there, but are not defined, or especially spatial. Everything sounds very centered and rather monologue. Still the best H1 PRO and most natural, even if that doesn't mean much. The H1 PRO sounds a bit like underwater, where the trebles pierce here and there. The stage is not realistic and a bit claustrophobic. Here I would have preferred an overloaded bass rather than being so undifferentiated in sound. Tonally a catastrophe. https://s.click.aliexpress.com/e/_dYup6SH OEM LY-903 Bluetooth 4.2, 40 mm driver, frequency response: 20 - 20000 Hz, ANC The LY-903 is one of the better of the bad. It is listed among many companies and is a classic OEM product. It is advertised with BT 5.0, but according to the packaging, it has only 4.2 and no AptX, which is also listed in the specifications of the dealers. SOUND - short and painless The bass is not the cleanest and is booming, especially with bass-heavy music. It has a fun punch, but is not stable enough. The mids come out reasonably well against the bass, but are still musty. Without bass impact they are even sometimes a bit demanding, especially with voices and naturalness is rather a foreign word to them. At high frequencies the LY-903 sounds artificial and tends to distort. There is not much stability, but the highs keep the signature alive to some extent, yet the patient is already hanging on the drip. The stage is below average, if at all. You feel crushed and separation and imaging are sloppy. The LY-903 may even be enough for the uncritical listener. But those who care about sound would rather look elsewhere. The ANC actually works and very low frequencies are filtered. But you can't consume music while doing so, because the ANC also filters the bass out of the music, which is counterproductive. Tip: The speaker cover on the earcups are not screwed on and can be easily lifted. If you take the foam from inside the LY-903, it sounds more open, clearer and more natural, but the evaluation is based on Out-Of-The-Box. https://s.click.aliexpress.com/e/_dVzyyLB

  • REVIEW: AKG K702 - OPEN BACK

    Reference sound for the "small" purse frequency range: 10 - 39800 Hz | sound pressure level: 105 dB | impedance: 62 Ohm | dynamic It requires either a full head of hair, or some other headgear if you want to use the K702 longer. Sound 8.2 Bass Mids Trebles Stage Imaging 8 8 8 8.5 8.5 Handling 8 Processing Comfort Earpads Headband Weight 9 7 8 6 231 grams Total 8.1 Price 130 € Quickcheck Pro Contra - clear and detailed - slightly volume sensitive in the mids - wide stage - bass not very powerful - neutral/warm tuning - headband quickly becomes uncomfortable (old version) - removable cable - isolation Intro With the K702, AKG has a reference handset for studio and mixing that is not only affordable, but also lives up to its ambitions. It is neutral with a warm tone and sounds very authentic, especially in voices, but also a bit sober. Handling Plastic, metal, leather, velour - the AKG K702 is a harmonious mix of different materials. Despite its protruding ear cups, it appears quite filigree and also of high quality. It also makes a robust impression which is necessary for everyday use in (professional) music production. The K702 not only has "over-ear" written on it, the ear cups actually enclose the complete ear without it bumping against the case or the velour padding (can squeak when wearing glasses). Due to the open design this does not contribute anything to the isolation (almost non-existent), but it gives you a good wearing comfort, at least as far as the ears are concerned, although I would like the pads to be a bit more soft/yielding. What AKG had in mind for the headband, however, remains a mystery. It adapts to the shape of the head with the help of rubber trappers, but it has very rigid, wide "pimples", which can quickly lead to headaches. They are very hard and do not offer any kind of padding. If they had simply been omitted, the K702 would certainly have been more comfortable with a flat leather strap. It requires either a full head of hair or some other headgear if you want to use the K702 for a longer period of time. The cable is detachable and has a 3.5mm connector which can be adapted to 6.3mm (adapter included). The connection to the headphone (one-sided guide) is a mini-XLR connector. Update: The newer production series probably have a flat headband, so the headaches are history. Sound Bass The bass is not really fun in the sense of quantity. But it doesn't have to be and it wouldn't be very helpful if the bass was distorted for mastering or recording by a boost. It's quite sterile, but very accurate with a slight warmth that covers the signature. It is not at home in the absolute low frequency range, at least it is hard to locate. But you can feel that it exists if you hold your hand on the ear cups or press them closer to the ear. As a reference it is appealing, as a fun sounding source it is rather less so. However, it does not act anemic and has its musical side, only pressure is not built up. Mids Slightly shrill and slightly subdued. In direct comparison to the Q701, they lack a bit of assertiveness and you get the impression they're a bit washed-out, but basically they're clear and balanced, with a slight push in the upper mids that gives them energy, sometimes with too much commitment and aggressiveness (at increased volume). Tonally I can't blame them much, but I lack a little maturity and body. Voices and instruments sound mostly authentic, but not very exciting. Soberly describes the mids quite well, with pleasure in detail. Trebles The highs are rather sunny than shady children. However, they do not overdo it with brightness, but play very calmly and unagitatedly with a touch of warmth. They have a rather airy and transparent character, but I have to listen more closely every now and then to find details that are much easier to access, for example in the K812. Here, a little more attention has been paid to safety in order to remain as fatigue-free as possible. However, I don't have the feeling that information is being withheld from me, it just requires a little more concentration. The slight emphasis on sibilants should not be suppressed. Stage I don't want to generalize, but open headphones usually have an advantage in the stage extension from the design alone. The K702 is no exception and is indeed very spacious. However, I do hear slight weaknesses in the depth and also in the vertical. But in the width the K702 cuts a very good figure. But the price is high, because due to its non-existent isolation the headphone is more or less only usable in the studio or in your own 4 walls. Imaging Voices are placed a little more in the mix than in the foreground which gives you more of a feeling of being inside the music than in the audience. Wind instruments are more "In Your Face". Soundwise more is happening in the stereo image (width), without building up too many layers in height or depth, but you still get a well structured 3D image. The separation is a bit too strong on left/right and could be a bit more differentiated. Outro The AKG K702 scores with tonal accuracy, a wide stage and a neutral signature with a slight warmth. However, the mids can be a bit demanding, the highs might like to act a bit more lively and the bass certainly doesn't make any bass friends happy, but plays rather dry and neutral. The K702 is certainly not a fun headphone, but rather serves as a reference even if it has room for improvement in all disciplines. However, I see it as competitive in its price range and technically and tonally competent. The audibility can be a bit limited (depending on the genre) by the upper mids and the headband comfort. It is also hardly usable on the road if you like the people around you. Thanks to Sattler Electronic Showtronic AG for providing the test headphones.

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  • CHI-FIEAR | KONTAKT

    Kontakt 8623 Wetzikon ZH - CH chi-fiear@gmx.de Deine Nachricht ist raus! Senden

  • CHI-FIEAR | SHOOTOUT - HEADPHONE

    Hersteller AKG AVANTREE DROP x HIFIMAN DROP x SENNHEISER FOCAL LANGSDOM MEZE OEM ONEODIO ROLAND SENNHEISER SHURE SIVGA SUPERLUX VALCO arrow&v 99 NEO ARIA ME BT18 CLEAR ELEAR ELEGIA ERIS HD10BT H1 PRO HD400S HD58X HD668 B HD672 HD681 EVO HD6XX HE4XX HE5XX HP1000 K141 MKII K240 MKII K271 MKII K52 K612 PRO K701 K702 K72 K812 K872 K92 LY-903 PHOENIX PRO 10 PRO 30 PRO 50 Q701 RH-5 RH-A7 SRH1540 SRH1840 STELLIA VMK20 arrow&v Modell Gesamt Klang Bass Mitten Höhen Imaging ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Review Stage Handling Verarbeitung Tragekomfort AKG AVANTREE DROP x HIFIMAN DROP x SENNHEISER FOCAL LANGSDOM MEZE OEM ONEODIO ROLAND SENNHEISER SHURE SIVGA SUPERLUX VALCO arrow&v 99 NEO ARIA ME BT18 CLEAR ELEAR ELEGIA ERIS HD10BT H1 PRO HD400S HD58X HD668 B HD672 HD681 EVO HD6XX HE4XX HE5XX HP1000 K141 MKII K240 MKII K271 MKII K52 K612 PRO K701 K702 K72 K812 K872 K92 LY-903 PHOENIX PRO 10 PRO 30 PRO 50 Q701 RH-5 RH-A7 SRH1540 SRH1840 STELLIA VMK20 arrow&v ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Review AKG AVANTREE DROP x HIFIMAN DROP x SENNHEISER FOCAL LANGSDOM MEZE OEM ONEODIO ROLAND SENNHEISER SHURE SIVGA SUPERLUX VALCO arrow&v 99 NEO ARIA ME BT18 CLEAR ELEAR ELEGIA ERIS HD10BT H1 PRO HD400S HD58X HD668 B HD672 HD681 EVO HD6XX HE4XX HE5XX HP1000 K141 MKII K240 MKII K271 MKII K52 K612 PRO K701 K702 K72 K812 K872 K92 LY-903 PHOENIX PRO 10 PRO 30 PRO 50 Q701 RH-5 RH-A7 SRH1540 SRH1840 STELLIA VMK20 arrow&v ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Review David Hahn Juni 20 4 Min. REVIEW: SoundMagic HP1000 - CLOSED BACK 67 Kommentar verfassen David Hahn Feb 2 8 Min. REVIEW: AVANTREE ARIA ME - CLOSED BACK - BLUETOOTH 134 Kommentar verfassen David Hahn Jan 25 5 Min. REVIEW: MEZE 99 NEO - CLOSED BACK 106 Kommentar verfassen

  • CHI-FIEAR | ÜBERSICHT

    Hier findet ihr eine Übersicht zu allen getesteten In-Ears, welche ihr nach eurer dolce gusto sortieren könnt. ​ Dazu klickt einfach auf die jeweilige Tabellenkategorie um diese der Größe nach zu ordnen. In den Unterkategorien unter ÜBERSICHT , könnt ihr euch auch ausschließlich BUDGET, HIGH-CLASS und PREMIUM anzeigen lassen. Modell Firma Gesamt Driver Klang Bass Mitten Höhen Handling Preis A-HE03 WHIZZER 7 3 6.8 7 6 7.5 8.5 145 € A1 HIFI WALKER 7.6 1 7.5 7.5 8 7 8 35 € A6 HIFI WALKER 7 3 6.7 7 6 7 8 27 € A7 PLUS HIFI WALKER 7.8 3 7.7 8 7.5 7.5 8.5 35 € A8 YINYOO 6 3 5.7 6 5 6 8 13 € ALTAIR•RA HILL AUDIO 7.7 1 7.5 8 7 7.5 9 35 € AQ3 AUDIOSENSE 8.4 3 8.3 7.5 9 8.5 9 165 € AS06 KNOWLEDGE ZENITH 7.9 3 7.8 8 8 7.5 8.5 35 € AS10 KNOWLEDGE ZENITH 7.9 5 7.8 8 8 7.5 8.5 40 € ASF KNOWLEDGE ZENITH 7.1 5 7 7.5 6.5 7 8 50 € ASH YINYOO 7.4 2 7.3 8 7 7 8 27 € ASX KNOWLEDGE ZENITH 7.1 10 7 7.5 6.5 7 8 85 € ATE KNOWLEDGE ZENITH 6.7 1 6.7 7.5 6.5 6 7 8 € AV3 AVARA 8.4 3 8.2 8 8 8.5 9.5 305 € BA10 KNOWLEDGE ZENITH 8 5 8 8 8 8 7.5 50 € BA5 TRN 7.9 5 7.7 7.5 8 7.5 9 45 € BA8 TRN 8.1 8 8 8 7.5 8.5 9 120 € BD005 KINERA 7.4 2 7.2 7.5 6.5 7.5 8 20 € BD005 PRO KINERA 8.4 2 8.2 8.5 8 8 9 45 € BE SPORT4 NUFORCE 6.9 1 6.7 7 6.5 6.5 7.5 99 € BELLSING YINYOO 6.9 2 6.7 7 6.5 6.5 8.5 30 € BL-01 BLON 8 1 7.8 8 7.5 8 8 18 € BL-03 BLON 8 1 7.8 8 8 7.5 8 25 € BL-05 BLON 7.9 1 7.8 8 8 7.5 8.5 40 € BL-05s BLON 8.2 1 8 8 8 8 8.5 40 € BLESSING 2 MOONDROP 8.8 5 8.7 9 8.5 8.5 9.5 280 € BLUE AURORA TIPSY 7.9 1 7.7 7.5 8 7.5 9 65 € BLUES TANCHJIM 8.1 1 8.2 8 8 8.5 8 75 € BO-T1 BBOOOLL 7 3 6.8 7 6.5 7 8 20 € BQ3 BQEYZ 8.1 5 7.8 8.5 7.5 7.5 9 50 € BRO NICEHCK 7.5 2 7.3 7.5 7.5 7 8.5 20 € BSINGER + PRO BASN 6.7 2 6.7 7.5 6 6.5 7.5 40 € BT608 TENNMAK 6.7 1 6.3 6.5 5.5 7 8 20 € BW-FYE3 BLITZWOLF 6.9 1 6.5 7.5 6.5 5.5 9 40 € BW-VOX1 BLITZWOLF 7.5 2 7.3 7.5 7 7.5 8.5 25 € C04 CCA 7.1 2 7 8 6 7 7.5 12 € C10 CCA 8.2 5 8 8.5 7.5 8 8.5 25 € C10 PRO CCA 7.7 5 7.7 8.5 7.5 7 8 35 € C12 CCA 8 6 7.8 8 7.5 8 8 40 € C16 CCA 8.2 8 8.2 8 8.5 8 8.5 75 € CA16 CCA 7.8 8 7.7 8 7 8 8 50 € CRYSTAL PEARL FEARLESS AUDIO 8 2 7.7 7.5 8 7.5 9.5 185 € CS8 CVJ 7.6 4 7.5 8 7.5 7 8 28 € CSA CVJ 7.8 2 7.7 7.5 8 7.5 8 15 € CSE CVJ 7 2 7 8 6.5 6.5 8 10 € CSN CVJ 7.1 6 7 8 6.5 6.5 8.5 45 € CU KIS LITTLE DOT 8.5 4 8.3 9 8 8 9.5 620 € CU RAD LITTLE DOT 7.6 1 7.7 8.5 7 7.5 7.5 70 € CUPID OBRAVO 5.3 2 4.8 6 4.5 4 9 195 € D2B4 YINYOO 7.5 6 7.2 7.5 6.5 7.5 8.5 100 € D4 EZAUDIO 7.7 1 7.5 8 7 7.5 8 9 € DB3 NICEHCK 7.7 3 7.5 7.5 7.5 7.5 8.5 18 € DELTA BRAINWAVZ 7 1 6.8 7 6.5 7 7.5 25 € DH3 BGVP 8.6 3 8.5 8.5 9 8 9 135 € DIAMOND KBEAR 8.3 1 8.2 9 7.5 8 9 70 € DM-380 DUNU 6 3 5.8 7.5 4.5 5.5 7.5 45 € DM-480 DUNU 7.8 2 7.5 8 7 7.5 9.5 65 € DM6 BGVP 8.2 5 8.2 8.5 8 8 9 180 € DM7 BGVP 8.8 6 8.7 8.5 9 8.5 9 270 € DMG BGVP 8.4 6 8.3 9 8 8 9 110 € DMS BGVP 8.6 7 8.5 9 8 8.5 8.5 140 € DN2 BGVP 8.4 2 8.2 8 8.5 8 9 50 € DQ6 KNOWLEDGE ZENITH 7.5 3 7.3 7.5 7 7.5 8.5 23 € DR2 DIY EARPHONE 7.7 1 7.5 8 7 7.5 9 25 € DT100 AUDIOSENSE 7.9 1 7.7 7.5 8 7.5 9 90 € DT6 SENFER 8 3 8 8 8 8 8.5 20 € DT6 PRO SENFER 7.9 4 7.7 8 7.5 7.5 9 25 € DUNMER PRO TIPSY 8.3 3 8.2 8.5 8 8 9 170 € E1001BT 1MORE 7.9 3 7.8 8 7.5 8 8 99 € E1010 1MORE 8.2 4 8.2 8 8 8.5 8 130 € E1026BT 1MORE 7.7 1 7.5 8 7 7.5 8 70 € E1028BT 1MORE 7.7 1 7.5 7.5 7.5 7.5 8 30 € E11C SOUNDMAGIC 8.2 1 8.2 8 8.5 8 8 40 € EB2 NICEHCK 7.4 1 7.5 6.5 8 8 7 20 € ED12 KNOWLEDGE ZENITH 5.4 1 5.2 6.5 4 5 7 10 € ED15 KNOWLEDGE ZENITH 6.8 2 6.8 7.5 6.5 6.5 7.5 15 € ED16 KNOWLEDGE ZENITH 7.5 3 7.5 8 8 6.5 8 20 € EDX KNOWLEDGE ZENITH 6.6 1 6.5 7 6 6.5 7.5 7 € ELITE AUDIOPHILE ELEMENTS 6.6 2 6.5 7.5 6 6 7.5 30 € EM-023 PHB 6.9 4 6.8 8 6.5 6 8 35 € EMPYREAN HILL AUDIO 6.6 2 6.3 7.5 6 5.5 9 50 € EN900 SENFER 7.9 4 7.8 8.5 7.5 7.5 8.5 35 € EP10 NICEHCK 7.5 1 7.3 8 7 7 8 18 € EP35 NICEHCK 6.9 1 6.8 6.5 7 7 7.5 30 € ES3 KNOWLEDGE ZENITH 7 2 6.8 7.5 7 6 8 13 € ES4 KNOWLEDGE ZENITH 7.5 2 7.3 8 7 7 8 13 € EST12 BGVP 8.9 12 8.7 9 8.5 8.5 9.5 1270 € EST8 BGVP 8.7 8 8.5 9 8 8.5 9.5 640 € F1 KBEAR 7.2 1 7 6.5 7.5 7 8.5 35 € F30 HIFIHEAR 6.9 3 6.7 7 6 7 8 35 € FORM 1.1 SHOZY 7.8 2 7.8 8.5 7.5 7.5 8.5 65 € FORM 1.4 SHOZY 8.4 5 8.3 8.5 8 8.5 9 180 € GR-T20 GUIDERAY 7.9 3 7.7 8 7.5 7.5 9.5 75 € GR-V5 GUIDERAY 8.1 5 8 7.5 8.5 8 9 170 € GR-i GUIDERAY 7.7 2 7.5 8 7 7.5 9 40 € H1 TRN 6.6 1 6.3 6 6 7 7.5 9 € H27 SHUOER 8.2 3 8 8 8 8 9 90 € HANA TANCHJIM 8.6 1 8.5 9 8 8.5 9 140 € HE01 WHIZZER 8.3 1 8.2 8 8.5 8 8.5 65€ HI-FI URBANFUN 7.5 2 7.3 7.5 7 7.5 8 20 € HLSX-808 MAGAOSI 7.5 2 7.3 8 6.5 7.5 8 17 € Hi7 KBEAR 7 7 6.8 8 6 6.5 8.5 85 € IV HYBRID XIAOMI 7.3 2 7.2 7.5 7 7 8 22 € K5 MAGAOSI 8.1 5 8 7.5 8.5 8 9 165 € KANAS PRO MOONDROP 8.8 1 8.7 9 8.5 8.5 9 160 € KB04 KBEAR 7.7 2 7.7 8 7.5 7.5 8 20 € KB06 KBEAR 7.6 3 7.5 7.5 7.5 7.5 8.5 27 € KB1 BQEYZ 8 3 7.7 8 7.5 7.5 9 30 € KC2 BQEYZ 8.1 4 8 8 8 8 9 45 € KS1 KBEAR 7.4 1 7.3 7.5 7.5 7 8 17 € KS2 KBEAR 7.8 2 7.7 8 7.5 7.5 8 18 € KSE1500 SHURE 8.9 1 9 8.5 9.5 9 8 2999 € LARK KBEAR 7.7 2 7.7 8 8 7 8.5 25 € LCK1086 FENGRU 5.8 1 5.7 7 5 5 7 7 € LEGACY 3 THIEAUDIO 8.7 3 8.5 8.5 8.5 8.5 9 115 € LEGACY 4 THIEAUDIO 8.8 4 8.7 8.5 8.5 9 9 160 € LIVE 1 TFZ 7.7 1 7.7 8.5 7 7.5 8 35 € LYRA ACCUTONE 7.4 1 7.2 7.5 7 7 8 35 € ME80 SHANLING 8.4 1 8.3 9 7.5 8.5 9 85 € MH1 SONY 7.4 1 7.8 8 7.5 8 4.5 6 € MH755 SONY 7.7 1 8.2 8.5 8 8 5 3 € MIRROR CVJ 7.5 3 7.3 7.5 8 6.5 9 45 € MT1 TRN 7.6 1 7.5 8 7.5 7 8 6 € MT300 SENFER 7.9 3 7.8 8.5 7.5 7.5 8.5 135 € NEX202 REVONEXT 7.3 2 7.2 8 7 6.5 8.5 40 € NEX602 REVONEXT 7.1 4 6.8 7.5 6.5 6.5 8.5 90 € NINE FENDER 8 1 7.8 8 7.5 8 8 99 € NO.3 TFZ 8.3 1 8.2 8.5 8 8 9 99 € NY-06 YINYOO 8 3 7.7 8 7.5 7.5 9 35 € OH1 IKKO 8.5 2 8.3 8.5 8 8.5 9 125 € OH10 IKKO 8.7 2 8.5 8.5 8.5 8.5 9 170 € OH300 ORIVETI 8.9 3 8.7 9 8.5 8.5 9.5 270 € OH500 ORIVETI 9 5 8.8 9 8.5 9 9.5 450 € OM1 OPERAFACTORY 6.3 1 6.2 7.5 5 6 8 30 € OPAL KBEAR 6.4 1 6.2 7 5.5 6 8.5 25 € OXYGEN TANCHJIM 9 1 8.8 9 9 8.5 9 240 € P1 TIN HIFI 8.7 1 8.5 8 9 8.5 9 150 € P2 TIN HIFI 8.4 1 8.3 8.5 9 7.5 9 290 € P3 NICEHCK 7 3 6.7 7 6 7 8 40 € P4 PRO TENHZ 8.1 4 8 7.5 8.5 8 9 120 € P7 BOPMEN 2.8 1 2.5 3 2 2.5 4.5 15 € P9 BOPMEN 3.6 2 3.5 4 3 3.5 4.5 15 € PAVO ACCUTONE 7.7 2 7.7 7.5 7.5 8 8 70 € PIANO TENNMAK 7.5 1 7.3 8 6.5 7.5 8.5 23 € PMH2 HYBRID HILISENING 7.5 2 7.3 7.5 7 7.5 7.5 20 € PRO YINYOO 7.5 2 7.3 7.5 7.5 7 8.5 18 € PRO TENNMAK 7.1 2 6.8 7 6.5 7 8.5 25 € PRO HD 2 XIAOMI 7.1 2 7 7.5 7 6.5 8 15 € Q70 YINYOO 7.4 1 7.2 7.5 7 7 8 50 € QT2 REVONEXT 7.9 3 7.7 8 7.5 7.5 9 30 € QT2s REVONEXT 7.9 3 7.7 8 7.5 7.5 9 30 € QT3 REVONEXT 7.2 4 7 8 7 6 9 40 € QT3s REVONEXT 7.9 4 7.7 8 7.5 7.5 9 40 € QT5 REVONEXT 7.6 2 7.5 8 7 7.5 8.5 28 € R1 MORPILOT 6.1 2 5.8 7 5 5.5 7 15 € RX6 REVONEXT 7.1 2 6.8 7.5 7 6 8.5 23 € RX8 REVONEXT 7.5 2 7.3 8 7 7 8.5 25 € RX8s REVONEXT 7.6 3 7.5 8 7 7.5 8.5 30 € S1 BLON 6.9 2 6.8 7 6.5 7 7.5 15 € S10 SHUOER 6.9 3 6.8 7.5 6 7 8 35 € S2 KNOWLEDGE ZENITH 7.1 2 7 8 6.5 6.5 8.5 45 € S8 HILL AUDIO 7.9 3 7.7 8 8 7 9 50 € S8 MOONDROP 9.1 8 9 8.5 9.5 9 9.5 600 € SE-950 SUNORM 7 1 6.8 7.5 6 7 7 15 € SE215 DIY EARPHONE 6.3 1 6.2 7 5.5 6 7.5 18 € SE215 SHURE 7.9 1 7.7 8 7.5 7.5 9 85 € SE425 SHURE 7.6 2 7.5 7 8 7.5 9 230 € SE535 SHURE 8.3 3 8.2 8 8.5 8 9 359 € SE846 SHURE 8.9 4 8.7 9 9 8 9.5 899 € SGZ-DN1 BGVP 7.5 2 7.3 7.5 7.5 7 8.5 18 € SIF KINERA 7.9 1 7.8 8 7.5 8 8.5 35 € SOLARIS CAMPFIRE AUDIO 9.4 4 9.3 9.5 9 9.5 9 1.380 € SOLO MEZE AUDIO 8.3 1 8.2 8 8 8.5 9.5 249 € SPRING REECHO X PEACOCK AUDIO 8.6 3 8.5 8.5 8 9 9.5 115 € SPRING 1 BQEYZ 8.4 3 8.2 8 8 8.5 9 120 € SPRING 2 BQEYZ 8.4 3 8.2 8 8 8.5 9 145 € SSP MOONDROP 8.1 1 8 9 7.5 7.5 9 35 € SSR MOONDROP 8 1 8 8.5 7.5 8 9 35 € STARFIELD MOONDROP 8.6 1 8.5 9 8 8.5 9 99 € STUDIO S1 ACCUTONE 8.2 1 8 8.5 7.5 8 8.5 175 € SUMMER REECHO X PEACOCK AUDIO 8.5 2 8.3 9 8 8 9.5 115 € SUPER ONE BS AUDIO 7.8 1 7.7 7.5 7.5 8 8.5 45 € T1 TENHZ 7.6 1 7.3 7 7.5 7.5 9 30 € T1 QCY 7.6 1 7.5 7.5 7.5 7.5 8 25 € T1 PLUS TIN HIFI 7.2 1 7 8 6.5 6.5 8.5 25 € T180 AUDIOSENSE 7.7 1 7.3 7 7.5 7.5 9 38 € T2 TIN HIFI 8.4 2 8.3 8 8.5 8.5 9 45 € T2 GALAXY TFZ 8.1 1 8 8.5 7.5 8 8.5 55 € T2 PLUS TIN HIFI 8.5 1 8.3 8.5 8.5 8 9 45 € T2 PRO TIN HIFI 7.6 2 7.5 8 8 6.5 9 55 € T2000 TIN HIFI 7 2 7.2 7 7.5 7 6.5 90 € T260 AUDIOSENSE 8 2 7.8 8 7.5 8 9 55 € T2U HISENIOR 8.2 2 8 8 8 8 9 65 € T3 TIN HIFI 8.2 2 8.2 8.5 8.5 7.5 9 65 € T300 AUDIOSENSE 8.4 3 8.3 8 8.5 8.5 9 95 € T300 TRN 7.5 3 7.3 7.5 7.5 7 8.5 60 € T4 TIN HIFI 8.6 1 8.5 8.5 8.5 8.5 9 90 € T500 YINYOO 5.5 5 5.2 5 4.5 6 8.5 50 € T515 TIN HIFI 7.2 2 7.3 8 6.5 7.5 6.5 20 € TA1 TRN 7.6 2 7.3 8 7 7 9 25 € Gesamt Modell Treiber Klang Bass Mitten Höhen Handling Preis Firma

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